The legends are only available in German, French or Spanish
Des indigènes de la Sierra centrale se rendent d'une vallée à une autre en conduisant leur troupeau de vaches. - Quebrada Querococha - Cordillera Blanca. - 1969

The legends are only available in German, French or Spanish
Le cheval constitue souvent le seul moyen de transport des populations de la Sierra. - Femme indienne près d'Andahuaylas. - 1969

The legends are only available in German, French or Spanish
La demeure des Indiens de la Cordillère des Andes est faite de briques en boue séchée, appelées adobes, recouvertes ou non de chaux. Elle est surmontée d'un toit de chaume. La maison se compose d'une seule pièce qui sert à la fois de cuisine, de chambre à coucher et de grenier où l'on garde les récoltes. - Près de la pierre de Sayhuite entre Abancay et Cuzco - 1969

The legends are only available in German, French or Spanish
Au centre du lac Titicaca se trouvent des îles flottantes artificielles sur lesquelles vivent des indigènes appelés Urus. Ce sont des métis qui parlent l'aymara et qui se consacrent surtout à la pêche. - 1969

The legends are only available in German, French or Spanish
Depuis l'arrivée des Occidentaux sur sol américain, les Indiens ont appris à élever les chèvres et les moutons qu'ils font paître sur les grands pâturages de l'altiplano. - Près du lac Titicaca entre Taraco et Huancané. - 1969

The legends are only available in German, French or Spanish
Les Indiens qui vivent sur les rives du lac Titicaca utilisent un bateau en jonc, la balsa, qu'ils confectionnent eux-mêmes et qui leur permet de circuler aisément sur les eaux. - 1969

The legends are only available in German, French or Spanish
La Sierra péruvienne est peuplée essentiellement d'indiens qui vivent en communauté et qui s'adonnent à l'agriculture. En certains endroits la fertilité de la terre est remarquable. - Récolte de céréales, Tiobamba, Cuzco, au fond du Nevado Chicón, 5530m - 1969

The legends are only available in German, French or Spanish
Le marché aux bestiaux de Huancané, près du lac Titicaca, attire chaque dimanche des milliers de paysans de la montagne venus des quatre points cardinaux. - 1969

The legends are only available in German, French or Spanish
L'emploi de machines est impossible dans la Cordillère des Andes, déjà à cause des difficultés du terrain. Tous les travaux agricoles se font à la main et sous le signe de la communauté. Récolte de pommes de terre à 4500 mètres d'altitude. - 1969

The legends are only available in German, French or Spanish
La chaquitaclla ou bèche incaique est encore en usage de nos jours parmi les populations de l'altiplano. - Hacienda San Juan de Chuquibambilla, Puno. - 1969

Another view of the 5,790-metre-high Cayambe volcano from the surrounding agricultural highlands of Pichincha Province, where the indigenous people (the Kayambi) have traditionally practised agriculture and livestock farming. – Ecuador – 1972

These cone-shaped huts are made entirely of páramo straw (ichu grass). They are a direct legacy of the Puruhá culture. They are actively maintained in communities around Cajabamba in the canton of Colta (Chimborazo province). The people wear traditional dress, which includes felt hats with short brims and thick woollen ponchos. These provide protection against the extreme cold of the Ecuadorian Andes. – Ecuador – 1977

An indigenous Kichwa woman from the Salasaka community in the province of Tungurahua, Ecuador. The distinctive light-coloured hat (muchiku) with a round brim is traditionally made from sheep’s wool. The elaborate, multi-strand necklaces (walkas) are traditionally made from fine beads and coral. They symbolise ethnic identity, cultural heritage, and the prestige and strength of indigenous women in the Andes. The woman is wearing a dark shawl (Chal or Fachalina), which is typically fastened at the front with a large, decorative silver pin or brooch (Tupu). – 1977

A girl from the Salasaka community (Tungurahua Province, Ecuador). The white hat is traditionally made from pressed sheep’s wool. It is a key symbol of identity during festivals. The hand-woven woollen shawl (Lishta) is often patterned with fine stripes. It is crossed over the chest and fastened with a silver brooch (tupu). Wearing walkas (multi-strand necklaces made of red coral or beads) is a typical form of jewellery for women and girls. – 1977

A young girl from the indigenous Kichwa community in the Otavalo region of the Ecuadorian highlands, dressed in traditional attire consisting of a blue poncho, a headdress and multiple layers of gold bead necklaces. – 1977

One of the most famous indigenous markets in the Andes takes place every Saturday in Otavalo (Imbabura Province, Ecuador). The Otavaleños enjoy an excellent reputation as trading partners and merchants; they can be found everywhere on the roads of the Andes, carrying their wares on their backs. Their market has become a major tourist attraction, featuring cockfights in the afternoon and bullfights in June. Alongside their own products, they sell the Salasacas’ cloths and rugs here. - Book: Picture 27 - Ecuador - 1977

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 30 - Ecuador - 1977

A Salasaca man in traditional dress – a black poncho, white trousers and a white shirt – at the loom. The barren soil of the central Ecuadorian province of Tungurahua, around the town of Ambato, has forced the Salasacas, a tribe of around two thousand indigenous people, to pursue a second source of income alongside farming. Their rugs, featuring bird and animal motifs, are famous far and wide. The Otavaleños usually handle the distribution of the textiles. - Book: Picture 26 - Ecuador - 1977

Sunday market in Cajabamba, west of Riobamba. Two hundred varieties of potato, ranging from small white tubers to huge red sweet potatoes, a dozen varieties of maize, quinoa (‘Peruvian rice’), pulses, as well as animal feed and, occasionally, modern fertilisers and colourings are on offer at these markets. - Book: Picture 31 - Ecuador - 1976

A Salasaca indigenous man weaving a wide belt, known as a ‘faja’. Traditional patterns include birds, deer, cats and other stylised animals. - Book: Picture 139 - Ecuador - 1976

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 29 - Ecuador - 1977

An indigenous woman from Riobamba in her traditional dress, carrying her child on her back in a sling. The brown felt hat is typical of the indigenous population (mostly Kichwa) of Chimborazo Province around Riobamba; it is a distinctive symbol of indigenous identity and belonging in this region. The child is carried safely on her back in a traditionally woven sling. The poncho provides reliable protection against the cold in the cool high altitudes of the Andes. – 1977

A Salasaca girl from the town of Ambato, Tungurahua province - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the flower offerings: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the flower offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create arrangements in the shape of branches. - Book: Picture 39 - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas Midnight Mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers into specific circular shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 36 - Ecuador - 1976

The Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 38 - Ecuador - 1976

An indigenous woman from the Saraguro culture in the province of Loja, Ecuador, recognisable by her traditional clothing and distinctive white felt hat. The woman is wearing striking silver earrings and traditional beaded necklaces. A silver brooch (‘Topo’, a traditional garment pin) holds her dark cloak in place over a red blouse. – Ecuador – 1977

The Saraguro in the province of Loja, Ecuador. The topos – the pins used by Saraguro women to fasten their ponchos – are unique to this tribe in that they feature a sun-shaped head. In Peru, they are spoon-shaped. - Book: Picture 37 - Ecuador - 1977

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: smallholders queuing outside the agricultural co-operative to collect their milk money. - Book: Picture 87 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: Cajamarca’s traditional hats are made from toquilla straw (plant fibre). - Book: Picture 85 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor spins her wool as she walks. - Book: Picture 84 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ – the room that Atahualpa had filled with gold – is on display. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor carries her new hat home on top of her old one. - Book: Picture 86 - Peru - 1976

A weaver with her spindle makes yarn from sheep's wool. Mancos in the Callejón de Huaylas, Department of Ancash. - 1969

A weaver with her spindle makes yarn from sheep's wool. Cajamarca Region in North Peru. - 1969

Potato harvest near the village of Jerónimo in the department of Apurímac, Peru. The tradition of communal farming dates back to pre-Inca times, creating a solid foundation for agricultural collectives and cooperatives. - Book: Picture 177 - Peru - 1969

Although the scene in the photograph is visually very reminiscent of the Mongolian steppe, the terraced slopes used for farming in the background, as well as the rider’s clothing (a typical Andean hat and poncho), clearly point to the highland Pampas regions of the Peruvian Andes. The photograph was taken 20 km from Andahuaylas. – Peru – 1969

A shepherdess with llamas and alpacas on the Altiplano, on the road from Abancay to Puquio. - Book: Picture 96 - Peru - 1976

This young indigenous woman is taking part in the traditional Inca ceremony Inti Raymi (the Festival of the Sun), which is celebrated annually on 24 June. Her clothing and headdress have symbolic significance. She is wearing an ornate crown made from dried agave leaves (maguey) and decorated with small sea snails. Her body is wrapped in a long robe made of natural moss. Beneath it, a traditionally colourful, patterned woven fabric can be seen. – 1969

Whilst the main ceremony of Inti Raymi (the Inca Festival of the Sun) traditionally takes place on the esplanade of the Sacsayhuamán fortress, the dances and musical accompaniment are often moved to Cusco Stadium to accommodate the crowds, as seen in this photograph, taken on 24 June 1976. The musicians play the traditional Peruvian Andean harp (Arpa andina) and violins to accompany the traditional dances (Danzas) from the various provinces, which are performed in honour of the sun. – Cusco – Peru – 1976

Sunday market in Chinchero, Cusco Department. Just as in Inca times, one can still recognise tribal or local affiliations today by the hats or the patterns on the ponchos. For example, the Cuzqueños wear a sort of doctoral cap; the hat from Pisac is gently curved, and those wearing the stiff white hats with coloured ribbons all come from the same area. - Book: Picture 112 - Peru - 1969

Sunday market in Chinchero, Cusco Department. The equivalent of a European sausage stall – an open-air kitchen. - Book: Picture 115 - Peru - 1976

Sunday market in Chinchero, Cusco Department. Chicha seller – maize beer was probably known soon after maize was first cultivated. - Book: Picture 113 - Peru - 1976

Fruit sellers at Cusco railway station. - Book: Picture 114 - Peru - 1973

Indigenous people in the small church at Ollantaytambo in the Urubamba Valley, above Machu Picchu, in the Department of Cuzco. Under the zealous Spanish missionaries, the indigenous people were very quickly converted to Catholicism; yet, on closer inspection, the old customs and deities can still be found beneath the European veneer in all the rites. For example, St James, the patron saint of the Spaniards, is celebrated with great fervour on 25 July, yet at the same time this day marks the festival of the mountain god Taita Wamani, and Pachamama, the Mother Earth from pre-Inca times, is today identified in many places with the Virgin Mary. - Book: Picture 108 - Peru - 1969

An indigenous man in the Altiplano of Peru plays the zampoña with a dreamy expression; its sounds (perhaps a ‘Yaraví’ or a ‘Triste’?) seem to capture all the melancholy of the vast expanse and solitude. - Book: Picture 6 - Peru - 1976

A campesino from the village of San Antonio de Chuca, Arequipa Department, Peru. The ear-flapped hat, known as a ‘chullo’, protects against the often biting cold of the Altiplano. Occasionally, the indigenous people wear a hat over the chullo to shield themselves from the glaring sun. - Book: Picture 82 - Peru - 1969

A charango player in the department of Cuzco, Peru. Stringed instruments appear to have been unknown to pre-Columbian civilisations. The original charango is a small guitar whose soundbox is made from an armadillo shell. Its rather high-pitched sound is produced by five or six pairs of strings. - Book: Picture 143 - Peru - 1976

This photograph shows a ceremony for Pachamama, which was held at 4 am at -17 °C. The offerings consist of coca leaves, salt, brandy, chicha, cigarettes and food (Puno Department, Peru). - Book: Picture 111 - Peru - 1969

Nothing illustrates the economic and social diversity better than farming methods. Whilst tractors are used in some areas, the indigenous people on their small farms still work the fields in a way that has not changed since the time of the Incas. - This image shows the breaking up of the soil with the taclla, an agricultural tool originating in the Peruvian Andes. It is essentially a long-handled spade that the Incas have used since ancient times. Its shape allows it to be pushed with the foot into hard ground. - Book: Picture 90 - Peru - 1976

Photo taken in the Peruvian Altiplano in winter. An indigenous woman with a child in the Department of Puno. She is collecting dried llama or cow dung to use as fuel. - Book: Picture 93 - Peru - 1976

An indigenous woman cooking with her child on her back. She uses dried llama or cow dung as fuel and stokes the embers with a blowpipe. Puno Department, Peru. - Book: Picture 117 - Peru - 1976

An indigenous couple return with their llamas from the market in Sicuani in the department of Cuzco. - Book: Picture 103 - Peru - 1973

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of the largest and most colorful religious celebrations in Bolivia. The photo shows the characteristic Diablada dancer—the devil, who embodies evil and dances frenetically against the forces of good throughout the hours-long procession, only to be ultimately defeated by Divine Power. - Book: Picture 150 - Bolivia - 1976

The festival is officially known as the ‘Festividad del Señor Jesús del Gran Poder’. It is celebrated in honour of a representation of Jesus Christ and blends Andean beliefs closely with the Catholic faith. Although the Morenada is regarded as the dominant dance of this festival in La Paz, groups performing the Diablada (as pictured here) open and enrich the spectacle with great vigour and magnificent colours. The dancers belong to one of the traditional fraternities that parade through the streets of the capital every year in May or June. – This huge celebration has also been recognised by UNESCO as an Intangible Cultural Heritage of Humanity. – Bolivia – 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. The photo shows the characteristic Diablada dancer—the devil, who embodies evil and dances frantically against the forces of good throughout the hours-long procession, only to be ultimately defeated by Divine Power. - Book: Picture 151 - Bolivia - 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. The female dancers may be inspired by the North American tradition of majorettes. - Book: Picture 152 - Bolivia - 1976

A traditional devil’s mask (Máscara de Diablada), typically worn at the Chilean festival ‘Fiesta de la Tirana’, at the ‘Festividad de la Virgen de la Candelaria’ in Puno, Peru, or at the Bolivian ‘Carnaval de Oruro’. – This dance symbolises the eternal struggle between good and evil. The dancers dress up as devils (Lucifer or demons), who are ultimately defeated by the Archangel Michael and submit to the Virgin Mary. A magnificent, colourful multi-headed dragon is mounted on the mask. In Andean iconography, European conceptions of the devil blend here with indigenous mythical creatures (such as the sacred snake Amaru) and Asian influences. The large, protruding eyes are intended to create a fixed, terrifying gaze. The mask features a wide-open mouth with pointed teeth and a protruding tongue, which emphasises the demon’s malice and ferocity. – La Paz – Bolivia – 1976

A dancer in a traditional, vibrantly coloured red devil’s costume from the Diablada dance troupe. The Diablada dance depicts the struggle between good and evil and forms the centrepiece of the various carnivals in the Andean region around Lake Titicaca. The ornate devil’s mask is adorned with horns, snakes and glittering embellishments. The dancer wears a red costume featuring embroidered aprons, metallic embellishments and distinctive boots. – La Paz – Bolivia – 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. - Book: Picture 153 - Bolivia - 1976

Three prospectors in the Bolivian Cordillera Real at an altitude of 4,640 metres. Together, these three treasure hunters mine easily accessible deposits of tungsten, tin and gold; they call their method ‘makipura’. - Book: Picture 175 - Bolivia - 1976

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