The floor of the Cauca Rift Valley, situated at an altitude of 800 to 1,100 metres, rises gradually towards the south, reaching an altitude of 1,760 metres at Popayán and continuing through the increasingly narrow Paria Rift Valley as far as the border with Ecuador. The picture shows the rift zone south-west of Popayán. - Book: Picture 34 - Colombia - 1977

Chimborazo rises as a mighty landmark, 6,272 metres high, on the western edge of the Ecuadorian basin range. Alexander von Humboldt had climbed the heavily glaciated volcano – which was considered the highest mountain on Earth in the 19th century – almost to the summit on 23 June 1802. He had not yet seen the eucalyptus forests in the foreground. This Australian tree was not introduced until around 1850. - Book: Picture 28 - Ecuador - 1977

At 5,790 metres, the Cayambe volcano is the third-highest mountain in Ecuador. On its slopes, at 4,690 metres, lies the highest point on Earth crossed by the equator. However, due to glacial retreat in recent decades, there is no longer an icy point on the equator. During the rainy season, however, the southern slope is often covered in snow, making it the only point along the entire equator where snow falls regularly. The photograph shows the volcano from a south-westerly direction. In the foreground, one can see the characteristic agricultural hills and farmland of Pichincha Province surrounding the town of Cayambe. – Ecuador – 1972

Another view of the 5,790-metre-high Cayambe volcano from the surrounding agricultural highlands of Pichincha Province, where the indigenous people (the Kayambi) have traditionally practised agriculture and livestock farming. – Ecuador – 1972

Cotopaxi (5,897 m) in Ecuador’s Eastern Cordillera is the highest active volcano on Earth. Although it has not erupted since 1928, the column of smoke rising above its smooth summit on cool days proves that it is by no means extinct. - Book: Picture 33 - Ecuador - 1973

The Tungurahua volcano rises to a height of 5,016 metres, 140 kilometres south of Quito. Its most recent eruptions took place in the last century. The Los Baños thermal spa, situated at its foot, is Ecuador’s most visited health resort. - Book: Picture 32 - Ecuador - 1977

The alpine meadows above the tree line have their counterpart in the humid tropical Northern Andes in the páramos: vast grasslands dotted with tussocks of stem-forming composite plants. The silvery-grey, downy leaves and the stems of the espeletias (frailejones), scorched by willow fires, present a ghostly sight, particularly when the mist rolls in (Páramo de Purace, Central Cordillera of Colombia). - Book: Picture 35 - Ecuador - 1977

These cone-shaped huts are made entirely of páramo straw (ichu grass). They are a direct legacy of the Puruhá culture. They are actively maintained in communities around Cajabamba in the canton of Colta (Chimborazo province). The people wear traditional dress, which includes felt hats with short brims and thick woollen ponchos. These provide protection against the extreme cold of the Ecuadorian Andes. – Ecuador – 1977

Washing clothes by hand directly in the river and then spreading the colourful laundry out to dry on the neighbouring grassy areas is a very long-standing tradition in the Andes. It is still practised in this way by some locals today. – Scene on the Río Tomebamba in Cuenca, Ecuador – 1977

The Chota Valley is an inter-Andean valley in northern Ecuador, stretching along the border between the provinces of Imbabura and Carchi. In contrast to Ecuador’s generally humid and lush Andean highlands, the Chota Valley has a semi-arid microclimate. It is hot and dry all year round. The valley is one of the most important settlement areas for the Afro-Ecuadorian community in the Andes. The inhabitants are descendants of African slaves who were brought to the region by Jesuits during the colonial era to work on sugar cane plantations. – 1977

The Chota Valley is a region steeped in tradition in the north of Ecuador. The region is best known for its Afro-Ecuadorian community, which has preserved a culture that is unique within Ecuador. The population is descended from enslaved Africans, who were brought to the region by Jesuits in the 17th century. The ‘Bomba del Chota’ is the region’s best-known style of music and dance. It is characterised by the bomba drums. Traditionally, women dance to this rhythm with great skill whilst balancing a bottle perfectly on their heads. – 1972

The striking Mitad del Mundo monument (Centre of the World) in San Antonio de Pichincha, near Quito, Ecuador, is a stone monolith approximately 30 metres high, crowned by a large globe, which marks the equator. The monument stands about 23 kilometres north of Quito and commemorates the historic French geodetic expedition of 1736 led by Charles Marie de La Condamine. – 1977

The Mitad del Mundo monument. The trapezium-shaped tower, built of hewn stone, has its sides pointing exactly in the four cardinal directions, whilst the sphere mounted on top is encircled by a metal equatorial ring. Recent precise GPS measurements have shown that the actual equator lies some 240 metres further south. – 1977

An indigenous Kichwa woman from the Salasaka community in the province of Tungurahua, Ecuador. The distinctive light-coloured hat (muchiku) with a round brim is traditionally made from sheep’s wool. The elaborate, multi-strand necklaces (walkas) are traditionally made from fine beads and coral. They symbolise ethnic identity, cultural heritage, and the prestige and strength of indigenous women in the Andes. The woman is wearing a dark shawl (Chal or Fachalina), which is typically fastened at the front with a large, decorative silver pin or brooch (Tupu). – 1977

A girl from the Salasaka community (Tungurahua Province, Ecuador). The white hat is traditionally made from pressed sheep’s wool. It is a key symbol of identity during festivals. The hand-woven woollen shawl (Lishta) is often patterned with fine stripes. It is crossed over the chest and fastened with a silver brooch (tupu). Wearing walkas (multi-strand necklaces made of red coral or beads) is a typical form of jewellery for women and girls. – 1977

A young girl from the indigenous Kichwa community in the Otavalo region of the Ecuadorian highlands, dressed in traditional attire consisting of a blue poncho, a headdress and multiple layers of gold bead necklaces. – 1977

One of the most famous indigenous markets in the Andes takes place every Saturday in Otavalo (Imbabura Province, Ecuador). The Otavaleños enjoy an excellent reputation as trading partners and merchants; they can be found everywhere on the roads of the Andes, carrying their wares on their backs. Their market has become a major tourist attraction, featuring cockfights in the afternoon and bullfights in June. Alongside their own products, they sell the Salasacas’ cloths and rugs here. - Book: Picture 27 - Ecuador - 1977

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 30 - Ecuador - 1977

A craftswoman weaving a traditional toquilla straw hat (often mistakenly referred to as a ‘Panama hat’). Cuenca in Ecuador is regarded worldwide as the most important centre for the production and export of these famous toquilla straw hats. They are painstakingly hand-woven from the fine fibres of the toquilla palm. Whilst the weaving of the rough forms often takes place in the surrounding villages of the province of Azuay, the hats are washed, bleached, moulded into shape and finished in the workshops and factories in Cuenca itself. The traditional weaving of these straw hats in Ecuador has been officially inscribed by UNESCO on the Representative List of the Intangible Cultural Heritage of Humanity. – 1977

Cuenca in Ecuador is regarded as the global centre for the processing and export of genuine toquilla straw hats. Whilst the fine straw is harvested on the coast and is often woven by hand in rural areas, the hats are finished in Cuenca’s renowned workshops. The hat blanks are cleaned to preserve their characteristic light colour. The protruding straw strands visible in the photograph are carefully trimmed by hand. The hat is shaped into its typical form using either traditional or modern hydraulic presses and heat. Finally, the inner sweatband and the classic black outer band are sewn on. – 1977

A Salasaca man in traditional dress – a black poncho, white trousers and a white shirt – at the loom. The barren soil of the central Ecuadorian province of Tungurahua, around the town of Ambato, has forced the Salasacas, a tribe of around two thousand indigenous people, to pursue a second source of income alongside farming. Their rugs, featuring bird and animal motifs, are famous far and wide. The Otavaleños usually handle the distribution of the textiles. - Book: Picture 26 - Ecuador - 1977

Sunday market in Cajabamba, west of Riobamba. Two hundred varieties of potato, ranging from small white tubers to huge red sweet potatoes, a dozen varieties of maize, quinoa (‘Peruvian rice’), pulses, as well as animal feed and, occasionally, modern fertilisers and colourings are on offer at these markets. - Book: Picture 31 - Ecuador - 1976

A Salasaca indigenous man weaving a wide belt, known as a ‘faja’. Traditional patterns include birds, deer, cats and other stylised animals. - Book: Picture 139 - Ecuador - 1976

Lunch at the Sunday market in Cajabamba, Chimborazo Province, Ecuador. - Book: Picture 137 - Ecuador - 1976

Riobamba is the economic and administrative centre of the Ecuadorian province of Chimborazo. The photograph shows the old, historic coach station (Terminal Terrestre) and an adjacent market square in the 1970s. Riobamba links the coastal region with the Andean highlands. The buses in the background display the nearby destinations of Guamote and Colta, two historically significant indigenous communities in the immediate vicinity. – 1977

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 29 - Ecuador - 1977

An indigenous woman from Riobamba in her traditional dress, carrying her child on her back in a sling. The brown felt hat is typical of the indigenous population (mostly Kichwa) of Chimborazo Province around Riobamba; it is a distinctive symbol of indigenous identity and belonging in this region. The child is carried safely on her back in a traditionally woven sling. The poncho provides reliable protection against the cold in the cool high altitudes of the Andes. – 1977

A Salasaca girl from the town of Ambato, Tungurahua province - Ecuador - 1976

The Saraguros are known for their elegant and traditional black national dress. The women often wear distinctive white hats with black patterns on the brim (or black felt hats), dark shawls (reboso), colourful embroidered blouses and elaborate beaded jewellery (collares). The photograph shows a traditional gathering after Sunday mass, held directly in front of the church in the main town of Saraguro in southern Ecuador (Loja Province). Those present are carrying floral arrangements and wreaths, which is typical of religious or community celebrations within the context of syncretism (the fusion of the Christian faith and the Andean cosmovision). – Ecuador – 1977

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the flower offerings: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the flower offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create arrangements in the shape of branches. - Book: Picture 39 - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas Midnight Mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers into specific circular shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 36 - Ecuador - 1976

The Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 38 - Ecuador - 1976

An indigenous woman from the Saraguro culture in the province of Loja, Ecuador, recognisable by her traditional clothing and distinctive white felt hat. The woman is wearing striking silver earrings and traditional beaded necklaces. A silver brooch (‘Topo’, a traditional garment pin) holds her dark cloak in place over a red blouse. – Ecuador – 1977

The Saraguro in the province of Loja, Ecuador. The topos – the pins used by Saraguro women to fasten their ponchos – are unique to this tribe in that they feature a sun-shaped head. In Peru, they are spoon-shaped. - Book: Picture 37 - Ecuador - 1977

Quito. Page from Poma de Ayala’s *Nueva Crónica*. - Book: Picture 165 - Ecuador - 1976

The Virgin of Guadalupe (oil on wood, 26 x 37 cm). This miniature is by an unknown 17th-century artist and is attributed to the Quito School, which, from its foundation in the 16th century, had a decisive influence on artistic production in the Andean countries. Many of its pupils, however, remained anonymous. Miguel de Santiago (1655–1706) is regarded as the most significant painter of this school; like the leading sculptor Gaspicara (Scarred Face), he was an Indio. Museo del Banco Central del Ecuador, Quito. - Book: Picture 134 - Ecuador - 1977

Foot bowl from the Tuncahuán-Carchi culture with a bird motif (diameter 21 cm, height 8.5 cm). Museo del Banco Central del Ecuador, Ouito. - Book: Picture 51 - Ecuador - 1977

Bowl with monkeys - Tuncahuan culture - 500 BC to 500 AD - negative painting of beeswax and honey - diameter 19cm, height 8.5cm - Museo Banco Central Quito, Ecuador - 1977

Vase from the Panzaleo culture with negative ornamentation (top diameter 13.5 cm, height 19 cm). The Panzaleo culture flourished in the provinces of Tungurahua and Cotopaxi between 500 BC and 500 AD. Museo del Banco Central del Ecuador, Ouito. - Book: Picture 52 - Ecuador - 1977

Cañari ‘horseman-shaped’ vessel, Cañar and Azuay provinces, Ecuador (height 16 cm). Period of Integration, 500 to 1400 AD. Museo del Banco Central del Ecuador, Quito. - Book: Picture 69 - Ecuador - 1977

Ceramics of the culture Tacalshapa in the provinces of Azuay and Cañar, Ecuador - Integration period from 500 to 1400 A.D. - Height 16 cm - Museo Banco Central Quito - 1977

Ceramics of the culture Tacalshapa in the provinces of Azuay and Cañar, Ecuador - Integration period from 500 to 1400 A.D. - Height 23 cm - Museo Banco Central Quito - 1977

‘The Coca Chewer’. Clay figurine (height 32 cm) from the Carchi culture, Imbabura and Carchi provinces, Ecuador. Museo del Banco Central del Ecuador, Quito. - Book: Picture 75 - Ecuador - 1977

Vase in the shape of a nursing woman (height 24.5 cm) from the Carchi culture, Ecuador. Museo del Banco Central del Ecuador, Quito. - Book: Picture 77 - Ecuador - 1977

Pre-Columbian pottery - Ceramics Jama-Coaque culture (coast) - Height 39,5cm - Museo Banco Central del Ecuador, Quito - 1977

Pre-Columbian pottery - Ceramics Bahia culture - Manabi province - Height 64cm - Museo Banco Central del Ecuador, Quito - 1977

Photo Gallery