Photo Gallery

Detail from the temple complex of Cerro Sechín in the Casmatal on the Peruvian Pacific coast. The complex of around ninety monolithic slabs, some of which are enormous, is attributed to the coastal Chavín style, although the reliefs have little in common with other ancient Peruvian stonework and show more similarities with the Mexican Monte Albán culture. The figures in profile all look towards the main entrance of the temple. - 1976

Detail from the temple complex at Cerro Sechín in the Casma Valley on the Peruvian Pacific coast. The complex, comprising around ninety monolithic slabs—some of them enormous—is attributed to the Coastal Chavín style, although the reliefs bear little resemblance to other ancient Peruvian stone carvings and show greater similarities to the Mexican Monte Albán culture. The figures, depicted in profile, all face the main entrance to the temple. - Book: Picture 46 - Peru - 1976

Detail from the temple complex of Cerro Sechín in the Valley of Casma on the Peruvian Pacific coast. The complex of around ninety monolithic slabs, some of them enormous, is attributed to the coastal Chavín style, although the reliefs have little in common with other ancient Peruvian stonework and show more similarities with the Mexican Monte Albán culture. - 1976

On the Bolivian plateau, the legendary creator god Kon Tiki Viracocha guards the secrets of a sunken world like a "sphinx". In the mask of a radiation-framed puma, he adorns the famous sun gate of Tiahuanaco, which consists of a single block of andesite, almost 3 m high and 4 m wide, weighing almost 10 tons. - 1976

The central figure of the Sun Gate at Tiahuanaco, Bolivia. As with the figure on the Raimondi Stele (Chavín culture), the head is almost as large as the body. In both hands, the Sun God holds sceptres that end in condor heads; his hair ends in snakes and jaguar heads. Tears, symbolising fertility and rain, stream down his face. He is surrounded by 148 winged figures facing him, which have been interpreted as symbols of movement and time. The Tiahuanaco culture had the most direct influence on the Inca civilisation. - Book: Picture 124 - Bolivia - 1976

Relief depicting the four cardinal directions (40 x 60 cm) from the Chiripa culture of the Taraco Peninsula on Lake Titicaca, Bolivia (c. 300 to 1 CE). As the much later Incas called their empire Tahuantinsuyu, or ‘Empire of the Four Parts of the World’, it may be surmised that their world view already had parallels in this culture. Museo Nacional de Arqueología, La Paz, Bolivia. - Book: Picture 79 - Bolivia - 1976