Photo Gallery

Beauty from Rajasthan - Abhirushi, which quite fittingly means "beautiful" in Rajasthan, is a nomad. She is wearing beautiful traditional jewellery – but would it be so beautiful without the brightness of her smile and the fineness of her eyes? (Region of Udaipur, Rajasthan, India) - 1990

A view of the city of Udaipur, taken from a window of the City Palace. The City Palace was built over a period of almost 400 years and is situated on the banks of Lake Pichola. It is considered one of the largest palace complexes in Rajasthan and now houses museums showcasing the history and culture of the Maharana dynasty. – 1990

The sun symbol of the Mewar dynasty is displayed on the exterior of the City Palace in Udaipur, Rajasthan. This striking emblem depicts the sun god Surya and refers to the lineage of the rulers of Udaipur, who regard themselves as members of the Suryavamsha (Sun Dynasty). – 1990

A woman on the steps of a temple in Udaipur, often referred to as the ‘Venice of the East’ or the ‘White City’ and considered one of India’s most romantic cities. It is situated in the state of Rajasthan, nestled in the Aravalli Hills and surrounded by seven sparkling lakes. – 1990

A woman steps through the ornate gateway into the City Palace in Udaipur, Rajasthan, India. Above the entrance hangs the distinctive golden coat of arms of the Mewar dynasty. The emblem is deeply rooted in Rajput history and symbolises the alliance and strength of the empire: on the left is depicted a warrior of the Bhil tribes (Rana Punja Bhil), on the right a Rajput warrior (Maharana Pratap). This symbolises the alliance between the tribal peoples and the ruling family. Above the shield stands the Sun with a Face, the symbol of the House of Mewar, which traces its lineage back to the Sun Dynasty (Suryavansha). At the bottom is the motto: ‘Jo dradh rakhe dharame, tahi rakhe kartar’ (He who holds fast to his faith/duty will be protected by the Creator). – 1990

The picture shows the Mor Chowk (Peacock Courtyard), one of the most magnificent courtyards in the City Palace in Udaipur. The courtyard is famous for its three ornate peacock figures set into the walls. These mosaics are made up of around 5,000 glass and mirror elements in shades of green, blue and gold. The three central peacocks represent the three seasons in India: summer, winter and the monsoon season. Work on the courtyard began in the 17th century under Maharana Karan Singh and was later completed with the present-day glass mosaics under Maharana Sajjan Singh in the 19th century. Historically, this venue was used for private dinners, celebrations and royal audiences. In addition to the peacock mosaics, the courtyard captivates with its detailed glass inlays (jharokhas) and the characteristic black-and-white chequered marble floor. – 1990

This particular mosaic depicts a peacock with its tail fully spread, flanked by two smaller peacocks, set within a decorative niche in the Mor Chowk (Peacock Courtyard) of the City Palace in Udaipur, Rajasthan. The peacock is the national bird of India, and there are a total of five such mosaics in the City Palace, representing the different seasons (summer, winter and monsoon). - 1990

The City Palace in Udaipur is situated on the eastern shore of Lake Pichola. The palace complex is regarded as the city’s landmark and is the largest palace in Rajasthan. The complex is renowned for its magnificent courtyards, hall of mirrors, royal galleries and murals. – 1990

A traditional Indian ox cart in Udaipur, pulled by two zebu cattle (humpback cattle), which are well adapted to the warm climate. A striking feature is the painted horns (here in blue and yellow), which is a common tradition in many parts of India to adorn the animals or highlight their significance to the owner. The wooden cart has large, traditional spoked wheels. For a long time, such vehicles formed the backbone of rural logistics before being replaced in many areas by motorised vehicles such as tractors or auto-rickshaws. – 1990

At Indian markets such as this one in Udaipur, various types of green leafy vegetables and herbs are often sold in handy bunches directly on the street or at weekly markets. The produce is typically displayed in traditional, flat wicker baskets, which allow for good ventilation of the delicate greens. - 1990

In Udaipur, carrying loads on one’s head is deeply rooted in the culture: women in Rajasthan are known for carrying heavy loads such as water jugs (matkas), firewood or baskets of goods on their heads. This is stabilised by a fabric ring on the head, which is a very efficient carrying technique. – 1990

In Udaipur, elephants are a familiar sight in the streets, often used for ceremonial purposes or tourism, and are also firmly embedded in the cityscape in the form of impressive stone sculptures. In the background, the approach to Jagdish Temple, an important Hindu temple guarded by two imposing stone elephants. The façade itself is adorned with detailed carvings of elephants, horsemen and dancers. – 1990

This photograph shows the upper section of the steep staircase leading to the main entrance of the renowned Jagdish Temple in Udaipur. The temple is dedicated to Lord Vishnu, the Preserver of the Universe, who is worshipped here as Lord Jagannath. The temple is renowned for its intricate stone carvings and sculptures, which depict scenes from Hindu mythology as well as dancers and musicians. In the background of the picture, these detailed friezes above the entrance area are clearly visible. - 1990

An Indian woman in a pink sari sits by the roadside, weaving flowers into garlands. This scene is typical of the bustling markets in the Udaipur region of Rajasthan. Such garlands are often used as offerings to deities in temples or presented during religious rituals such as the morning aarti. The art of weaving flower garlands is a centuries-old craft. - 1990

A subji-walli (vegetable seller) in India. She is sitting in a doorway in Udaipur behind baskets containing various vegetables such as spring onions, aubergines, cauliflower and green courgettes. The woman wears a traditional yellow odhni (headscarf) over a pink blouse. This type of street trading is widespread in India and provides a livelihood for many families. – 1990

A street vendor in Udaipur selling local fruit, vegetables and spices to passers-by. Udaipur is situated in a region steeped in history. In the moonlight, the palaces on the lakeshore evoke memories of tales from “One Thousand and One Nights”. – 1990

Two Indian women, deep in conversation, sitting in front of a blue-painted door in Udaipur, Rajasthan. The women are wearing colourful outfits typical of the region. One woman is wearing a peach-coloured sari with a floral pattern, whilst the other is dressed in a light blue, embroidered gown with a white, sheer headscarf (odhni or dupatta). – 1990

Card games played in public spaces are an integral part of everyday social life in Udaipur, the ‘City of Lakes’. Older men in particular often meet in the afternoon to play cards together. Popular spots include shady corners on pavements, temple steps or small forecourts in the old town. These gatherings are often lively and convivial. Many of the men here also wear traditional Rajasthani turbans and simple white clothing, which makes the scene very characteristic of the region. - 1990

The atmosphere in the picture, with the hanging goods and traditional clothing, is typical of Udaipur’s oldest markets. The winding streets of the old town, particularly around Jagdish Temple and the City Palace, still retain this timeless charm to this day. – 1990

Two women shopping at a market stall in Udaipur. The scene is characterised by the vibrant, traditional clothing and the rustic setting of a small street stall. – 1990

A woman standing in a doorway in Udaipur. She is wearing traditional Indian clothing, likely a sari or a lehenga choli, often complemented by a dupatta (veil) covering her head. – 1990

Following the first monsoon rains, a farmer in the Udaipur area leads a team of two white zebus (humpback cattle) to prepare the ground for sowing. A woman in a yellow sari carries a shallow bowl on her head, containing the seeds for the upcoming sowing. - 1990

The photograph depicts traditional farming in India, showing a farming couple ploughing a field with the help of oxen or zebus. This scene is typical of rural areas where hand-operated wooden ploughs are still used to prepare the soil for sowing. – Udaipur – 1990

The photograph captures traditional rural life in the Aravalli Hills, in the region between Udaipur and Narlai. In this area, agriculture is still largely characterised by traditional methods. Ploughing with oxen is a common method of tilling the soil in this hilly and often arid landscape. The area around Udaipur is known for the cultivation of cereals such as maize and wheat, as well as pulses. – 1990

In the area around Udaipur in Rajasthan, there are still a few places where you can see the traditional Persian waterwheel (often known locally as a ‘rahat’ or ‘araghatta’) in action. Unlike electric pumps, waterwheels draw water more slowly, which allows for a more sustainable use of the often scarce groundwater reserves. – 1990

This irrigation system in the Aravalli Hills near Udaipur is not a Rahat, but a Charas or Chades, which operates on a rope-pulley system. Oxen pull a rope up a ramp to hoist a large leather bag (the Charas) from a deep well. As soon as the bag reaches the top, it empties into the canal. There is no rotating wheel with many buckets here. – 1990

Around 80 to 100 kilometres north of Udaipur lies the impressive Kumbhalgarh Fort (also known as Kumbhalmer), a massive 15th-century fortress. The fort is situated in the Aravalli Hills at an altitude of over 1,000 metres. The fort is famous for its massive walls, which stretch for around 36 kilometres. They are considered the second-longest continuous wall in the world after the Great Wall of China. Within the walls are over 360 temples, including significant Jain and Hindu temples. The fort was built by Rana Kumbha, the ruler of Mewar. Due to its strategic location and thick walls, it was considered virtually impregnable. – The site has been a UNESCO World Heritage Site since 2013. – 1990

The impressive Kumbhalgarh Fort (or Kumbhalmer Fort) is particularly famous for its massive rampart, often referred to as the ‘Great Wall of India’. In many places, the wall is so wide that up to eight horses can ride side by side on it. - 1990

Kumbhalgarh Fort is situated north of Udaipur on a 1,100-metre-high rocky outcrop near Nathdwara and is one of Rajasthan’s most significant fortifications. The fort walls, with their imposing bastion and semi-circular, strangely bulbous towers, were built in 1548. It was conquered only by the troops of the Indian Great Mughal Akbar, and even then only because he had the wells poisoned. Within the 36-kilometre-long fortress walls of this immense complex lie several temples, palaces and more modest dwellings. - 1990

Kumbhalgarh Fort was built in the 15th century (between 1445 and 1458 AD) by Rana Kumbha. It is also the birthplace of the legendary warrior Maharana Pratap. The fort was designed so that, despite its hilltop location, it is barely visible from a distance, making it an almost impregnable defensive structure. The walls are up to 15 feet (approx. 4.5 metres) thick in places. Within the massive walls are over 360 temples as well as palaces such as the striking Badal Mahal (‘Palace of the Clouds’) at the top of the fort. – Aravalli Hills in the Rajsamand district, about 84 km from Udaipur. – 1990