When the Sahara was still green, it was inhabited by numerous representatives of the African fauna, many of which can still be found in the more fertile areas today. As proof, this 2.65 meter-long engraving of an elephant is to be seen in one of the most beautiful and significant rock-art sites from the so-called Bubaline period (Wadi Mathendous, Fezzan, Libya).

Oued in the region of Mathendous - Fezzan - Libya

Public transport
No, it's not a photographic montage, but a tribute to public transport. On top of the 15 tons of cargo, 53 passengers crowded as best they could to travel the hundreds of kilometers separating Sebha, Libya, from Bilma, Niger.
Libya - Fezzan - 1964

The Wadi Mathendous has carved its bed into the rugged landscape of the Messak noir, in the Fezzan in southern Libya. Following the dead course of the former river, now blocked by boulders, one reaches the famous site of the elephant of In Galjeïen: It is located on the rock that closes off the farthest part of the horizon. - Libya - 1969

Wadi Mathendous. Habeter II - Bubalinic Era. This bovine with monumental horns was contemporary with the Neolithic and disappeared with it. This specimen is equipped with two tails. The scale of the pictured Bubalus is derived from the distance between the tips of its horns: 72 centimetres. Note the small, older (?) ostrich between the horns. - Libya - 1969

Maximilien Bruggmann and his team during the Blaka mission (1969) in Wadi Mathendous (Libya). From 1961 to 2003, Maximilien Bruggmann undertook 18 expeditions to the Sahara. He created two films, took several thousand photos and illustrated four large books. The Equipe Mission Blaka in front of the famous tail crocodile with a length of 2.25 m in the Wadi Mathendous: Philippe Roulet, Jean-Claude Bourgeon, Eva Bruggmann, Zoumri, Jean Garzoni, Maximilien Bruggmann - Libya - 1969

Our journey has taken us to the sandy deserts and to Djebel, through the gorges of Tassili and into the tall grass of the steppe. Everywhere we met people who were able to build their lives and even laugh and sing. But it is to the sand that our minds and, why not, our hearts are drawn. This single man leading his camel across the hot, soft sand represents the triumph of the will over the most hostile matter. Sure, at the end of the journey, palm trees await him again, similar to those here in the valley of Adjahl; but even these exist only thanks to the will of other people, if the sand is not ultimately to win the day. - Libya - 1964

The Edeyen or dune massif of Oubari with Lake Gabr' Aoun in the foreground, one of the seven lakes around which live the Daouda, people of dark complexion whose existence is one of the most miserable in the whole Sahara. Eight ridges of high, hard-to-walk dunes, some 50 kilometres, separate them from the fertile Adjal valley, which is dotted with rich oases. - Libya - 1964

In Fezzan, in the Edeyen of Oubari, a strange people lives near the lakes surrounded by high dunes. They are the Daouda. The word Daouda comes from "doud", which means worm in Arabic. In fact, the Daouda eat "worms", which they fish in the lakes fed by underground springs. Only the women are authorised to devote themselves to this task. Their net resembles the plankton net used by biologists. The worms - in reality crustaceans - are dried and then buried for several months before being eaten. - Libya - 1964

In Fezzan, in the Edeyen of Oubari, a strange people lives near the lakes surrounded by high dunes. They are the Daouda. The word Daouda comes from "doud", which means worm in Arabic. In fact, the Daouda eat "worms", which they fish in the lakes fed by underground springs. Occasionally, however, a goat is slaughtered and the meat hung out to dry. - Libya - 1964

A Daouda boy weaving a ribbon. - Edeyen of Oubari - Libya - 1964

Drinking water is fetched from the well by lever arm. - Gabr Aoun - Edeyen of Oubari - Libya - 1964

At the well of Oumm al-Aranib in Fezzan, a winch is used to lift the drinking water. - Libya - 1964

The Daouda of Gabr Aoun need their donkeys for food supplies, which they have to transport from far away over several dunes. - Libya - 1964

Tombs at Maqbara as Sahaba near Zawila in south-western Libya, about 150 km east of Murzouq, in the heart of the Fezzan region in the Libyan Sahara. Zawila was an important trading centre in the Middle Ages, its main business being the slave trade. It was also the capital of the Fezzan region during this period. In ancient times, the region around Zawila was part of the land of the Garamantes. - Libya - 1964

The inhabitants of the Zawila (Zouïla) oasis see themselves as descendants of the Prophet Muhammad. The place is said to have been founded in 918 and soon became the administrative centre of the whole of Fezzan. - Libya - 1964

Mosque of Murzuk in the centre of Fezzan. Murzuk is 120 kilometres south of Sabha, and is an important transport hub towards the southern Sahara. Murzuk replaced Zawila as the centre of the Fezzan in the 12th century and was the most important place in this Saharan region until the 20th century. This importance was based on its function as a hub for trans-Saharan trade on the "Bornu Road" between Lake Chad and Tripoli. Thus, a large slave market was located here. - Libya - 1964

A basket trader at the Murzuk market sells her wares. - Libya - 1964

A girl at the Murzuk market. Its elegant posture comes from learning to carry heavy loads on its head at a very early age. - Libya - 1964

This little girl comes from Traghan near Murzuk. In the picture you can count 12 flies. - Libya - 1964

Date harvest in Murzuk in the Fezzan of Libya. Dates are rich in sugar and have a correspondingly high calorie content. This earned them the name "bread of the desert". Fibre, minerals such as potassium, calcium and magnesium, and B vitamins make them a healthy snack. The content of the amino acid tryptophan is particularly interesting. - Libya - 1964

Dunes in the Eyden of Murzuk, a Saharan sand desert (erg) in the southern Libyan province of Murzuk and has an almost circular shape with a diameter of about 250 km. - Libya - 1969

This strange photograph is not a montage. It is a "public transport" in honour of the truck's manufacturer. On top of 15 tonnes of cargo, 53 passengers crammed themselves as best they could to make the hundreds of kilometres from Sebha, Libya, to Bilma, Niger. - Libya - 1964

Chapter 3: FEZZAN - Libya The Fezzan is located in south-west Libya. Important archaeological sites can be found in Wadi Mathendous on the edge of Erg Murzurk and in the Tadrart Acacous Mountains. The picture shows a typical desert landscape from this region. The desert itself is characterised by mountains, rocks, sand and dunes. There are rock monuments comparable to those in the Arches National Park in the United States.

In the Tadrart Acacous Mountains there are caves in which you can find prehistoric engravings of elephants and water buffaloes from around 4000 BC. They are similar to those in the Algerian Tassili Mountains. The paintings document periods in which the region was considerably wetter and therefore offered a much more fertile landscape. In the Messak Plateau in south-west Libya, close to the borders with Algeria and Niger, some of the oldest rock paintings in the world can be found in the Wadi Mathendous. A veritable prehistoric menagerie is carved into the rock faces of the dried-up riverbed, including life-size elephants, giraffes and crocodiles. Some figures are depicted alone, others in intricate compositions fighting with other animals or humans. One of the more famous scenes from the Wadi Mathendous petroglyphs are the fighting cats.

138 - Oued Mathendous. In Habeter III. - As at Enneri Blaka, there are cliffs along the edges of river valleys. Very beautiful naturalistic engravings from the Bubaline period depicting giraffes and an elephant. The cracks in the rock are sometimes recent, which damages the depictions. Sometimes they are old, and the artist took this into account. Height of the giraffe, from the hooves to the tips of the horns: 2.25 m.

139 - Oued Mathendous. In Habeter III. - Enlarged detail of the previous engraving.

140 - Oued Mathendous. In Habeter III. - Giraffes engraved with continuous, regular, and deep lines. Bubaline period. A smaller, unfinished giraffe precedes them on the right. At the top left: recently etched bovine.

141 - Oued Mathendous. In Habeter III. - Bubaline period. The antelope in the center has a polished inner surface. A head appears below its neck. The antelope on the left, turned to the right, aligns with another animal turned to the left by the middle of its belly. This "monster" had already been seen by Frobenius. The ungulate in the center is 0.45 m in length.

142 - Oued Mathendous. In Habeter III. - Bubaline period. As Frobenius described and published it in 1937, this scene is discussed in the chapter "The History of a False Idea: Sex and the Desert." Note the very modern appearance of the costumes.

142 - Oued Mathendous. In Habeter III. - (original photo) Bubaline period. As Frobenius described and published it in 1937, this scene is discussed in the chapter "The History of a False Idea: Sex and the Desert." Note the very modern appearance of the costumes.

143 - Oued Mathendous. In Habeter III. - Bubaline period. The original engraving used as the model for L. Frobenius' drawing. Width of the panel shown in Maximilien Bruggmann's photo: 1.90 m.

145 - Oued Mathendous. In Habeter III. - The famous scene of the monkeys, here all visible. Bubaline period. The three animals in the upper part have their inner body polished. The one depicted below is simply etched with lines. From the bottom of the lower animal's legs to the ears of the right animal: 1.90 m.

146 - Oued Mathendous. In Habeter III. - Period of the "bubale". Enlargement of the monkey: at the top right, a fine engraving appears within its body, but it is not from the same period. The ends of the legs resemble fingers more than claws, which is typical of the monkey.

147 - Oued Mathendous. In Habeter III. - Period of the "bubale". A large elephant faces an undefinable being, called "Meerkatze" by some. Below the elephant’s trunk, a hare or rabbit is clearly identifiable. The width of the depicted rock is 1.80 m.

148 - Oued Mathendous. In Habeter II. - An ensemble in which it would be tempting to see Garamantian graffiti accompanied by Tifinar inscriptions. The most interesting part is the figure on the right, despite it certainly being a more recent addition: on a massive rectangular "body" with scales facing upwards, there appears a hemispherical structure whose lower part is inserted into the body. The body itself rests on two medium-sized balls placed on two larger balls. Finally, the scaled structure seems to rest on a narrow band with larger scales. No explanation can be given for this engraving of undetermined age. Height of the figure: 2 m. Width of the body: 1.20 m.

149 - Oued Mathendous. In Habeter II. - Period of the "bubale". A large figure with an animal head and a tail is in a variation of the "Bès position". This ithyphallic figure is accompanied by a smaller replica placed to the right. The magical character of this scene is likely linked to fertility invocations, at a time when the Sahara was already threatened by drought. Note the beautiful ostrich at the center right. From the right foot to the tip of the ear: 1.08 m.

150 - Oued Mathendous. In Habeter III. - Period of the "bubale". A large giraffe, appearing massive but with precise anatomy. Engraving with deep and regular strokes. Below, a very schematic ostrich, perhaps later. Its presumed head is adjacent to a depiction of a trap. The circle above might be a representation of a jellyfish. The "trap" has a diameter of 0.63 m.

151 - Oued Mathendous. In Habeter III. - Two bovids with forward-facing horns. Above, another trap with a diameter of 0.56 m.

152 - Oued Mathendous. In Habeter III. - Period of the "bubale". The famous crocodile with a tail measuring 2.25 m in length! The depiction of the dermal plates was made with deep lines. Note the Tifinar inscriptions in the top right.

The Equipe Mission Blaka in front of the famous tail crocodile with a length of 2.25 m in the Wadi Mathendous: Philippe Roulet, Jean-Claude Bourgeon, Eva Bruggmann, Zoumri, Jean Garzoni, Maximilien Bruggmann - Libya - 1969

153 - Oued Mathendous. In Habeter III. - Period of the "bubale". A very beautiful engraving of a bovid with hanging horns. Note the depth of the lines and the cracks in the rock formed after the engraving. Length from the tip of the snout to the tip of the tail: 0.72 m.

154 - Detail of the previous one showing the quality of the engraved lines.

155 - Oued Mathendous. ln Habeter II. - Period of the "bubale." Beautiful naturalistic elephant engraved with deep strokes. Below, bovids. From the tail to the tip of the trunk: 1.10 m.

156 - Oued Mathendous. ln Habeter III. - Period of the "bubale." Two naturalistic giraffes. At the back of the left giraffe, a more recent human figure is seen as if mating with the giraffe.

157 - Oued Mathendous. ln Habeter II. - The central figure may have been altered (belt, oversized sex). It is followed by an ostrich. In front of it, various much younger engravings: ostrich, human, antelopes. To the left, birds. Width of the depicted panel: 2.10 m.

158 - Oued Mathendous. ln Habeter III. - Period of the "bubale." A bovine whose head, according to L. Frobenius, is topped by a symbol, which is uncertain. From the tip of the left horn to the hoof: 0.60 m.

159 - Oued Mathendous. ln Habeter III. - Two giraffes and two bovids engraved on a vertical rocky surface at the edge of the Oued. From the lowest legs of the large bovine to the head of the giraffes: 1.32 m.

160 - Oued Mathendous. ln Galgien. - Bovid. Bovid period. Notice the line between the horns, which are represented along the axis of the spine. From the tip of the tail to the muzzle: 0.73 m.

161 - Oued Mathendous. ln Habeter II. - Male bovid (?) with crescent-shaped horns. From the top of the horn to the hooves: 0.35 m.

163 - Oued Mathendous. ln Habeter III. - The "sad cow" (!), anatomically correct, with well-marked nostrils.

164 - Oued Mathendous. ln Habeter II. - Ox with lyre-shaped horns.

166 - Oued Mathendous. ln Galgien. - Two giraffes with traces of internal polishing. The second animal is accompanied by a calf.

167 - Oued Mathendous. ln Habeter III. - The giraffes, whose detail is shown in photo 165. Height of the giraffe from the neck to the hoof: 1 m.

168 - Oued Mathendous. In Habeter III. - Giraffe drinking. This representation is very rare. The front legs are spread apart.

169 - Oued Mathendous. In Habeter II. - Period of the "bubale." Large elephant. The nature of the rock has caused significant erosion, making the engraving at the head difficult to read. The decoration of the trunk and ears shows an interesting aesthetic pursuit. From the tip of the tail to the front leg: 1.20 m.

170 - Oued Mathendous. In Habeter III. - Small archer of indeterminate age. He wears "shorts," which is not entirely rare. A piece of leather or fabric (?) hangs between his legs, and the left shoulder's design, dominated by a crook, is difficult to explain. Height: 0.40 m.

170 - Oued Mathendous. In Habeter III. - (original photo) Small archer of indeterminate age. He wears "shorts," which is not entirely rare. A piece of leather or fabric (?) hangs between his legs, and the left shoulder's design, dominated by a crook, is difficult to explain. Height: 0.40 m.

171 - Oued Mathendous. In Habeter III. - Period of the "bubale." Elephant lifting (?) a man with its trunk. Block width: 1.40 m.

172 - Oued Mathendous. In Habeter III. - Small horse with a polished interior. From the tip of the ear to the hind hoof: 0.57 m.

173 - Oued Mathendous. In Habeter II. - Engraved bovine with geometric tendencies, featuring a jugular appendage. The horns resemble the shape of a lyre. From the snout to the base of the tail: 0.65 m.

174 - Oued Mathendous. In Habeter II. - Very beautiful ox, whose contours are engraved with a double line. As is often seen, the abdomen is marked by a vertical line. The lyre-shaped horns are above a clear eye. It is preceded by an antelope with very fine, long horns in the same style. From the left horn of the ox to the base of the tail: 0.65 m. Decadent graffiti between the horns of the ungulate.

175 - Oued Mathendous. In Habeter II. - Enigmatic figure with no rational explanation. Total height: 0.51 m.

176 - Oued Mathendous. In Habeter III. - Extraordinary engraving already seen by L. Frobenius. However, in his time, the hole between the legs did not exist. The photo by Maximilien Bruggmann corrects the representation given by L. Frobenius. From head to foot: 0.30 m in height.

177 - Oued Mathendous. In Habeter II. - Period of the "bubale." Mythical scene discussed in the chapter titled "History of a False Idea: Sex and the Desert." Panel width: 1.55 m. (See: SAR-007B)

178 - Oued Mathendous. In Habeter II. - Period of the "bubale." Beautiful elephant measuring 1.55 m from the legs to the skull. A misjudgment places both tusks to the left of the trunk. The elephants suggest a dense vegetation cover. Note the small figures.

179 - Oued Mathendous. In Habeter II. - Bubaline period. In fact, the designation *Bubalus antiquus* Duv. was initially abandoned in favor of *Omoïoceras antiquus* Duv., eventually leading to *Pelorouis antiquus* Duv. This bovine with monumental horns is contemporary with the Neolithic and disappears with it. This specimen has two tails. A large bird is engraved between the horns, which are spread 0.72 m apart at their tips.

180 - Oued Mathendous. In Habeter II. - Three giraffes, including one calf. The coat is depicted with scalariform patterns. The giraffe on the right measures 1.08 m from hoof to the tips of the horns.

181 - Oued Mathendous. In Habeter II. - A magnificent bull engraved with deep, regular lines. The tops of the horns are marked with two lines, themselves topped by a disc, in which some see an Egyptian influence, though this is not certain. From the tip of the snout to the end of the tail: 0.60 m in length.

182 - Oued Mathendous. In Habeter II. - Canids giving the observer the impression of being observed. They are likely fennecs or "sand foxes." Width of the depicted panel: 1.30 m.

183 - Oued Mathendous. In Habeter II. - Confronted goats. From the top of the horns on the right to the bottom of the legs: 0.60 m.

184 - Oued Mathendous. In Habeter II. - Fennec in motion. Life-size.

185 - Oued Mathendous. In Habeter III. - Lionesses with lyrical heads. Total width of the fractured block: 2.57 m.

186 - Oued Mathendous. In Habeter III. - Bubaline period. Ostriches in a circle. Six birds, identifiable by their heads, but only the legs of the first one are visible. The bird at the bottom left is from the same period. A more recent human figure is sketched at the bottom right.

187 - Oued Mathendous. In Habeter II. - Large elephant from the bubaline period. The engraving lines are sharp and well-followed. The weathering of the rock has cut off the legs above the feet, with the detached fragments lying at the base of the engraving. From the tip of the trunk to the end of the tail: 1.40 m in length.

188 - Oued Mathendous. In Galgien. - Bubaline engraving. Fragment of a mythical figure, whose visible arm shows a cuff with a turn-up. Height of the block: 0.70 m.

189 - Oued Mathendous. In Galgien. - Bubaline period. - A thero cephalic being wearing a medieval landsknecht's beret. Width of the depicted block: 0.82 m.

190 - Oued Mathendous. In Habeter III. - Detail of an engraved bovine head, showcasing remarkable artistic mastery. Width of the head at the level of the nostrils: 0.58 m.

191 - Oued Mathendous. In Habeter I. - Two-tone antelope, with one of the shades obtained through hammering. It is a male measuring 0.44 m from the top of the horns to the front hooves.

192 - Oued Mathendous. In Habeter II. - Ostrich engraved by puncturing. From the top of the head to the legs: 0.70 m in height.

193 - Oued Mathendous. In Habeter II. - Two hippopotamuses, with only the upper one being finished. Deep and consistent engraving. Positioned too high on the wall to be measured.

194 - Oued Mathendous. In Habeter III. - Bovine depicted in the grazing position. Below it, a teratological animal artificially composed of two hindquarters joined at the belly. From one tail to the other: 0.62 m in length. To the right of the tail's origin, a late addition of an animal head to correct (?) the lack of rationality of such a monster.

195 - Oued Mathendous. In Habeter II. - Lioness with marked claws, her tail bent upwards towards her back. It’s possible this tail actually belongs to a previous engraving. Note the 3 cup-shaped depressions behind the left front paw. From the top of the arch to the lioness’s hind paw: 0.75 m in height.

196 - Oued Mathendous. In Habeter II. - Giraffe drawn after L. Frobénius. Note the circle enclosing the origin of the neck. The drawing of the legs is awkward.

197 - Oued Mathendous. In Habeter II. - Detail of the head from the previous drawing.

198 - Oued Mathendous. In Habeter III. - Giraffe engraved with a deep line and a highly stylized head, reminiscent of the style of the painter Chirico. Height of the animal: 1.30 m.

199 - Oued Mathendous. In Habeter I. - Beautiful engraved ox with lyre-shaped horns. The coat is depicted by alternating reserved and polished areas. Below, another animal is sketched, partially overlapping the first. From the left tip of the horn to the end of the tail: 0.83 m in length.

200 - Oued Mathendous. In Habeter I. - Engraving of a bovid. The rendering of the scapula of the right front leg creates an impression of an added limb. The eyes are not shown. From the top of the horn to the end of the tail: 0.83 m.

201 - Oued Mathendous. In Galgien. - Pastoral fresco depicting four bovids: three on the left, one on the right. The coat is represented by alternating polished and unpolished areas. Width of the depicted panel: 1.30 m.

202 - Oued Mathendous. In Habeter III. - Physical destruction of a beautiful rock document. Several fragments have disappeared, and the remaining ones show a shift from the original depiction. The three upper blocks are 1.33 m wide.

203 - Oued Mathendous. In Galgien. - Exceptional engraved elephant from the Bubaline period. This beautiful document is one of the peaks of Saharan rock art and one of the finest line engravings. It highlights the artists' familiarity with their biotope. Note that the length of the tusks was limited by the dimensions of the rock. From the tail to the end of the trunk: 2.65 m long.

Maximilien Bruggmann et Jean Garzoni lors de l'inventaire de l'éléphant sur la photo précédente.

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